Facing the World: April 2013

06 April 2013

Savouring Bangkok's Floating Markets

A floating market is a market where food and goods are sold from boats. Originating in times and places where water transport played an important role in daily life, most floating markets operating today mainly serve as tourist attractions, and are chiefly found in Thailand, Indonesia and Vietnam.

Khlong Lat Mayom, Taling Chan, Bang Nam Pheung, Bang Khu Wiang and Amphawa floating market are the most notable ones in Bangkok.

people, street portrait, high-angle shot, Thailand, Bangkok, Taling Chan Floating Market, floating market, Thai food, seafood, delicious, boat vendor, yummy snack

people, street portrait, high-angle shot, Thailand, Bangkok, Taling Chan Floating Market, floating market, Thai food, seafood, oyster omelette, delicious, boat vendor

people, street portrait, high-angle shot, Thailand, Bangkok, Taling Chan Floating Market, floating market, Thai food, som tum, green papaya salad, delicious, boat vendor

people, street portrait, eye-level camera angle, Thailand, Bangkok, Khlang Latmayom Floating Market, floating market, Thai food, seafood, delicious, boat vendor, yummy snack

people, street portrait, eye-level camera angle, Thailand, Bangkok, Khlang Latmayom Floating Market, floating market, boat vendor, fresh vegetable

Where the camera is placed in relation to the subject can affect the way the viewer perceives the subject; sometimes you can dramatically alter your photo composition by just changing your perspective and camera angle. For practical and also psychological reasons, a high-angle shot is often the method of choice at floating markets...

High-res portrait photographs with full exif data, precise geotags and technical details in Matt Hahnewald's

Flickr Album 2015-11a Respecting Thai Buddhist Monks

Flickr Album 2015-10a Plucking Bangkok's Flowers

Flickr Album 2013-04a Savouring Thai Floating Markets

What's a Portrait?

About Street Portraiture:

(i) The Street Photographer’s State of Mind

Get yourself into a resourceful, open-minded and relaxed state of mind, leave your hide-out and interact with the world. Use any silly hat, have a drink, or apply any of those fancy “think-positive” techniques. Your own state of mind will spread to and infect your portrait subject...

(ii) The Street Photographer’s Intention

Release the shutter with the deliberate intention of “Right now, I'm producing a distinctive portrait photograph”. Find your individual style by applying self-imposed technical constraints (e.g. of the theme, of the aspect ratio, of the techniques, of the lenses, of the composition); less is more...

(iii) The Street Photographer’s Waiver

Decide if it’s better to give it a miss instead of taking a bad photo. In the field, if there is a shred of doubt, don’t take this snap. It’s probably better to take a cerebral snapshot and to enjoy the situation. At your computer, if there is a shred of doubt, delete the image; it’s probably better to download a good image from the internet and to learn from it...

(iv) The Street Photographer’s Attitude

Trust the viewer's active mind. Your photo is just a small trigger for the bigger and better internal picture inside the viewer’s mind. Allow the viewer’s mind to create interesting internal pictures (and movies) by offering images of (a) parts and details, (b) symbols and logos, (c) contrasts and contradictions. Co-operate with the viewer’s creative mind, keep the viewer’s mind busy and seduce your viewer to complete your photo, to improve your photo, to add (her or his) sense to your photo, to fantasize about your photo, and to mentally exceed your own photo...

(v) The Street Photographer’s Tools

Remember the meaning of the word photography and master the light with your eye, with your camera and with your computer: (a) see the light, (b) harness the light and (c) bend the light. But, bear in mind, your shoes are your most important piece of equipment. Use them liberally to get closer (or further away, sometimes), to play with angles and to find your unique point of view...

About Portrait Lenses:

The first thing to consider is focal length. If you're using a camera with a (cropped) APS-C format image sensor (e.g. the Nikon D3100), a 50mm lens will give an effective focal length of around 75mm to 80mm. This is very close to the 85mm focal length for a full-frame camera (e.g. the Nikon D610) that's considered ideal for portraiture. Both enable headshots and half-length portraits to be taken from a comfortable distance of around 3 m, so you can direct your subject without crowding in and making them feel awkward.
One particular advantage of using an 85mm lens on a full-frame camera (or a 50mm lens on a cropped-sensor camera) for portraiture is that the short telephoto focal length has the effect of slightly compressing any prominent facial features (think noses and chins) for a bit of added flattery.
Generally, prime lenses offer superior image quality to zoom lenses, which makes the optics on test instantly appealing. Their killer feature, however, is a wide maximum aperture that's usually between f/1.4 and f/1.8 (e.g. the AF-S NIKKOR 50mm f/1.8G and the AF-S NIKKOR 85mm f/1.8G both from Nikon). This enables a tight depth of field, so you can blur fussy backgrounds and make the person you're shooting really stand out in an image.

Whereas most texts are Wikipedia-based, all the photographs used in this photo blog are copyrighted by © Matt Hahnewald (Facing the World) and cannot be copied, saved, re-produced, blogged, edited, cropped or printed without my written permission. Most of my portraits are available as high-res images (without any watermarks). Just ask and send an email specifying exactly your planned usage of this photo, or license/buy my photos directly from Alamy.

Thank you for respecting intellectual property.

Places

06 April 2013

Savouring Bangkok's Floating Markets